暂无剧情简介

It features: Biography, The Making of 'A Sorta Fairytale' and Interview Segment.

暂无剧情简介

Ben's dad Sam shows up one night with a note from Ben's mother (Sam's wife of 46 years), that she has left. While Ben's wife and his three sisters try to find her, Ben takes Sam on a day trip to see a farmhouse that's for sale. The day trip turns into a road trip while dad and son explore their past, their relationship, and why Sam's wife might have left him. The road trip includes fishing, drinking, playing pool, sleeping under the stars, and frank discussion. Anger simmers close at hand, as do love and hope. Where Sam's wife is - and why she left - leads to the movie's resolution.

暂无剧情简介

In a botched attempt to become human, Ben Grimm aka The Thing of the Fantastic Four, has found himself turned into a gangly teenager as his regular human form. While he barely considers this situation an improvement, he decides to live in this form to have some semblance of a normal life until a better solution can be found. However when trouble erupts, “Benjy“ Grimm can strike together two rings together to change back into his form as the Thing. With his tremendous strength and rock body, The Thing can face any menace at hand.

Scientist Alec Holland invents a growth substance that could end world hunger, but a plantation owner obsessed with immortality tries to steal it and causes an accident that turns Alec into a human-plant mutant, protector of the bayou.

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A documentary about The Troggs (performers of Wild Thing) and other Rock bands.

MEAT-THING is a absurdist comedy about Jo, a quiet butcher whose routine unravels when a slab of meat begins to speak to her. As the meat—strangely alive and deeply self-aware—forces Jo to confront questions of existence, shame, and meaning, she spirals through a city that continues without noticing. Haunted but unwilling to accept what’s happening, Jo carries the talking flesh to a friend’s ramen shop, where, under the weight of his own denial, he gives it up. The meat is chopped and served without protest. A deadpan exploration of guilt, disconnection, and the absurd comfort of pretending nothing’s wrong.